Preparation of sessions for mixing - Pro Tools session
sessions can be accepted
on firewire [not USB] hard drive or DVD.
in certain cases [mixing only 1 - 2 songs] FTP upload may be possible. Ask me
first :
1. open song session file
and save as [song title - FOR MIX].
Make a "rough mix" of the song and place in folder named "band
name - date - rough mixes"
2. Play song and make sure
that all necessary tracks are included. If there are out takes or unused takes
of the song, please include them,
but mark them clearly as out takes and label the "master
take" as such. Place markers at key parts of the song, ie: V1, CH1,
BRIDGE, etc.
3. Deactivate and hide, or delete, any tracks that definitely will not be used in the mix. Delete the "master fader" and any aux inputs with plug ins.
4. Make sure that all tracks
are named clearly, ie: kick, snare top, snare bottom, lead
vocal, vocal double, gtr 1 sm57, gtr 1 U87, bass mic,
bass di, etc. Please DO NOT leave any tracks as "audio
3", "audio 4", etc. Maintain this convention throughout the songs
ie, don't use "voc"
for one song and "vox" for another, or "snare top" then
"sn top". try to be as consistent as possible when naming tracks.
Place corresponding tracks next to each other
[all the drum tracks together, then bass tracks, then guitars, then vocals,
then percussion tracks, etc.]
5. Check the edits on tracks
and crossfade edits where necessary. Check for clicks and pops and adjust the
edits and crossfade as necessary.
Buzz or hum from instruments when they are not playing can be muted out [select
region, APPLE + M] but DO NOT REMOVE SPACE BETWEEN
TOM HITS, VOCAL PARTS, ETC. DO NOT "STRIP SILENCE" ANY TRACKS.
Do not consolidate tracks.
6. Remove all plugins.
If there is a track with a specific plugin effect [distorted vocal, timed delays,
lo fi drums] record or bounce that track to a new track.
Then remove the plugin from the original track and clearly label both tracks
["bridge voc dist", "bridge voc original"].
The same procedure should be followed for any pitch-corrected [auto tuned] tracks,
with the "tuned" and "untuned" tracks next to each other
in the session
and clearly labelled, ie "ch voc 1 tuned", "ch voc 1 original".
this and any further information can also be included in the track comments
box.
7. Remove ALL volume and mute automation. If there is a part of a track that will not be used in the mix, mute the region [select region and APPLE + M].
8. Specific volume or pan automation [a synth part that pans or guitar swell for example] can be left as is, but make a note of it in the track comment box.
9. Remove unused regions
from the session. This is accomplished with the following command: "SHIFT-APPLE-U"
then "SHIFT-APPLE-B".
Select "clear unused regions from session". Do not
select "delete unused regions from hard drive".
10. Go to "File",
then "Save Session Copy In..."
Session Format: "Latest"
Audio File Type: "BWF / .WAV" [or AIFF if your session is currently
AIFF]
Sample Rate: same as your current session
Bit Depth: 24
Check "copy all audio files"
Check "do not copy fade files"
create a new folder named
"band name - date - FOR MIX"
Save session as [song title - FOR MIX]. When closing session, PT will
ask you if you want to save changes to the session. Select "Don't save".
It's bettter if you keep a copy of the session as it was and send me the "mix
ready" version. Also a good idea to make a backup of the entire
"FOR MIX" folder in case the hard drive / DVD is damaged in shipping.
11. Repeat as above for
each song. When all songs are saved, send the hard drive. If you are sending
the songs for mix on DVD's,
VERIFY THE DVD AFTER BURNING and use PC/MAC compatible disk writing.
Remember to include the rough mixes in a seperate folder on the hard drive or
DVD, or burn to audio CD
and include in the package. Rough mixes are very helpful for me to check that
no files are missing, and to get an idea of the song's direction.
Include power supply and cables for hard drives. Pack drives and / or DVDs well
to protect against shipping damage.
12. Include as many notes as you like, either in the track comments box, as
a text file included in the folder, or good ol' pen and paper.
I like notes. if there are specific ideas for the mix or for certain tracks,
include those notes here.
13. Any "clean up"
work such as editing, removing clicks/pops, tracking down missing audio files,
making rough mixes because
they were not included, or hours spent trying to figure out what "audio
32", "audio 4", and "audio 12.1" are, will incur additional
costs,
so please submit tracks as "finished" as possible and clearly labelled.
any questions, contact me directly: